CHARLES BRIDGE
It is the oldest bridge in Prague, which is also one of the most
beautiful in the world. Originally it was called Prague or Stone and
only since the year 1870 it is called Charles. Originally in its
place stood a Roman bridge, named after the wife of Vladislav I
(1140 – 1172) Judith. It was built in the years 1158 – 1171, in 1272
it was seriously damaged by a flood and later on, on February 3rd
1342, its remains did not withstand the pressure from the ice, wood
and other material brought on again by a flood. The destruction of a
bridge was in its time considered a national disaster.
For a long time following this catastrophe, only a wooden bridge was
temporarily used and only on 9th of July 1357 at 5:31 did the King
Charles IV (1346 – 1378) set the founding stone of the new bridge.
The date, along with the exact time determination, was selected with
regards to the conjunction of Saturn and the Sun, which according to
the astrologist was for such an act the most suitable and luckiest
moment of the year. The construction was entrusted to a young German
architect from Schwäbisch Gmünd Petr Parler and his works, which
completed the bridge early on in the 15th century. Its length spans
520m and width is 10m, it lies on 16 pillars, is built from
sandstone blocks and enclosed by entry portals with towers, where
the Old Town Bridge Tower is also the job of Parler’s works, while
the Lesser Town Bridge Towers each come from a different era.
OLD TOWN BRIDGE TOWER
Old Town Bridge Tower is one of the most beautiful architectures in
Czech, but also of the European high Gothic style, and also it is
one of the excellent connections of function with top esthetic
approach. The Tower is famous especially for its unique, very
realistically interpreted, sculpture decoration, among which there
are the sculptors by the initiators of the tower’s construction. The
construction has begun simultaneously with the construction of the
bridge, i.e. in the year 1357, and it was apparently completed
around the year 1380. The construction was carried out according to
the designs of P. Parler and his works, which was working at the
time on a series of other buildings in Prague besides the bridge.
The tower was damages many a times through the course of the
centuries (e.g. in 1648 or 1848) and so in the years 1874 – 1878 the
architect Josef Mocker performed its overall restorations. It was at
this time that it has received today’s roof and in 1877 the painter
Petr Maixner restored and completed the original Gothic paintings of
the gate’s passage. The tower has a shape of a two level prism with
battlement and a high tent-like roof covered by slate. On the
southern part is a prism like annex with a staircase and an own roof,
where the entrance to the tower’s levels is placed, and which is
concluded with a grotesque figure of a tower keeper from the middle
of the 15th century. The tower’s ground level, which is formed in
its entire length by a gate with Gothic arcs and a specifically
network shaped vault of passage, is on the east side in the
direction of Kříženecké Square, decorated with frescos depicting
Veraikon with angels, picture of a Barber Surgeon, emblems of a
kingfisher in a wreath and above the arc a strip with the coat of
arms of Lands of the Bohemian Crown and Prague Towns. The depiction
of the kingfisher is found in the tower several more times. It was a
coat of arms of the Prague Barber Surgeon Guild, where one of them,
named Zuzana, according to the tale enjoyed the great favor from the
King Wenceslas IV (1378 – 1419), whom she helped to escape from the
Vltava Baths and therefore returned his freedom back to him, which
he has lost when, as a result of the Czech Lords revolt, he was
taken captive by them. On the first floor are the statues of the
tower’s builders Kings Charles IV (1346 - 1378) and Wenceslas IV.
In the middle between both of the figures is a statue of St. Vitus,
the bridge’s patron; where on both of his sides are the coats of
arms of the Holy Roman Empire and the Bohemian Kingdom. Above St.
Vitus is the coat of arms of St. Wenceslas fiery eagle. Along the
sides of both rulers are the coats of arms of the Prague’s Old Town
and the Margraviate of Moravia. The decoration of the second level
is comprised of Saint Adalbert of Prague and Zikmund statues,
patrons of the Bohemian Kingdom. On the tower corners are figural
consoles with figures of lovers, representing once a nun with a
soldier and the second time with a pupil. The western side, i.e. in
the direction of the bridge, was decorated in a similar way, but in
1648 the Swedish artillery during the attack on Prague’s Old Town
has damaged these decorations to such an extent that it was
necessary to remove it. Today there is only a depiction panel here
of John the Baptist by Spinetti from the years 1650 - 1653 with the
scripture celebrating the heroism of Prague’s Burgess during the
siege by the Swedish armies. Another panel, depicting the bridge
repairs after the floods of 1784, is found on the side of the tower
in the direction of the Knights of the Cross Monastery. The inside
of the tower is formed by two levels, where each of them has one
room built with a beam ceiling. These rooms were, similarly as the
cellars, placed under the pavement of the tower’s passage, used in
the past as jail for debtors.
In the year 1621 the Old Town Bridge Tower was provided with a
gruesome decoration, which comprised of 12 heads of noblemen,
executed for the participation on the revolt of the estates against
the Habsburgs in 1618 – 1620. Six were placed on the west and six on
the east corner of the tower. They were not removed until 1631.

LESSER TOWN BRIDGE TOWERS
Charles Bridge leads to the arc of the Lesser Town Bridge Towers,
where you enter the Lesser Town. The lower tower has a Roman origin
and is the remainder of the fortification of the town’s left side
from the 2nd quarter of the 12th century and therefore it stood here
even before the Judith Bridge was built. In 1591 the tower was
reconstructed in a Renaissance fashion, and from this time only the
decorative shields and remains of the rusticated stucco have been
preserved, furthermore the shape of the windows and portal. On the
east side of the tower on the first floor an arenaceous marl relief
is fitted, which is an example of the exclusive level of Roman
sculpting in Bohemian lands in the 12th century. The relief depicts
two life size persons. On the left is a figure of a kneeling lad and
on the right a torso of a figure sitting on a throne. The entrance
to the tower is from the hallway of a house indication number 56,
the former customs house from 1591, where the Bureau of the Prague
Bridge and the Caesarean Salt Bureau used to reside. The tower
interior is made up of a ground floor and three levels, which are
connected by a wooden staircase. Each floor has one room. In places,
where the staircase ends, is an entrance to two parallel pointed
arcades and on the top edge is fitted with a battlement. The areas
of the gate are decorated by coat of arms. In the direction towards
the bridge are the coat of arms bearing the Luxembourg Lion, Czech
Lion and Moravian Eagle, below them is twice the coat of arms of the
Prague’s Old Town. On the other side, in the direction towards the
Lesser Town, is the coat of arms of Vratislav, Czech Lion and the
coat of arms of Dolní Lužice, under them are the coat of arms of
Prague’s Old and Smaller Towns. The higher Bridge Tower is the
youngest construction element of the bridge. Its construction
started in 1464 and it was financed by the Czech King George of
Poděbrady (1458 – 1471). The tower has a prism shape, on the face
walls are extra decoratings by alcoves with baldachin roofs. Here
most likely was to be a sculptor décor, but it never happened.
Architecturally the tower ties into the Old Town Bridge Tower.
Today’s appearance was given to it by Josef Mocker in the years 1879
– 1883.
Charles Bridge was always a place that has attracted the fantasy of
artist of all trades and also the folk literature has devoted much
room in its lore and tales. The most famous lore is the one about
the magic sword. Somewhere in its walls lies Bruncvík’s magic sword,
no one however knows where. But one day when the Bohemian land is
under ultimate assault, supposedly St. Wenceslas will ride out at
the front of the Knights of Blaník to help his land and just then
and there will his horse trip over a stone on the Charles Bridge,
this will become loose and from under will the famous sword of
Bruncvík emerge. St Wenceslas will draw the sword and cry out: “To
all enemies of the Bohemian land heads down!” And from that time
there will be tranquility and peace in the Bohemian lands forever.
CHARLES IV
CHARLES IV(May 14th 1316 Prague – November 29th 1378 Prague) was the
eleventh Bohemian King (as Charles I – 1346-1378), King of Lombard
(1355), Roman King (1346–1355) and Emperor (1355–1378), King of
Burgundy (1365) and Earl of Luxembourg (1346 – 1353) from the House
of Luxembourg. Charles IV, baptized as Wenceslaus, was the son of
Elisabeth I of Bohemia and John of Luxembourg. As a child he stayed
on the French Royal Court with his godfather, who was his uncle,
French King Charles IV of France (1322–1328). Here he married
Blanche of Valois. In Paris he received extensive education: the
future Emperor knew German, French, Latin, and Italian (he learned
Bohemian again after his return back to the land in 1333). His
teacher was Pierre de Rosieres (later the Pope Clement VI). Charles
became the Bohemian king after the death of his father on August
26th 1346. Prague became Charles’ place of residence, the Prague’s
New Town was established (March 8th 1348) and a new Prague stone
bridge was built (1357-1400), which today bears the name Charles
Bridge. Charles IV founded the castle Kartlštejn on June 10th 1348
for the storing of the Empire’s Coronation Jewels. In Rome on April
5th 1355 Charles was crowned the Holy Roman Emperor. His official
title was Latin and it sounded like this: Karolus Quartus divina
favente clemencia Romanorum imperator semper augustus et Boemie rex.